装B年龄不能错过。记录生活势在必得~

为什么会想看一部电影（不分前后～）：

1.被封面吸引（大多无聊的时候，在电驴上瞎逛）

2.豆瓣评价高/IMDB评价高

3.经典。（《美丽人生》一类）

4.有重要的人推荐

5.实在是大时尚，所有人都在讨论

6.情节、设置很新颖

7.妈妈当时看，顺道一起

8.有Pitt或者Depp在里头。

有时候也是多重原因组合的～ 反正这些原因皆导致 最近想看的超级多。。。（123部）
有点后悔我完完整整地看了3部贺岁片一刚。（第一次造上海句式~~） 我连《Big Fish》啦《闻香识女人》啦《死亡诗社》啦《Babel》啦都还没看过捏

详情请见：http://www.douban.com/movie/list/trock/wish

你呢，在豆瓣只评价了《海上钢琴师》，而且是五颗星。
我说，“以后说好了一起看的电影，你不许提前看！”
你无奈摊手：“必须我没看过？那就基本没什么好电影了。”
切～～呵呵

好吧
我承认我用中文名字代替是因为我不会拼‘尼采’……
『When Nietzsche Wept 完全随机下载的一部电影，开看 2007-12-26 12:27 』

『　改编自心理治疗畅销作家欧文‧亚隆的同名小说。
故事背景为十九世纪末的维也纳，时年四十岁的布雷尔，有一天接到一封短笺，高不可攀的名女人莎乐美突然邀约咖啡馆，她是为她的亲密朋友尼采求诊，她请求他运用实验性的「谈话治疗」来诊治尼采的自杀倾向。问题是，自恃甚高的哲学家尼采，说什么也不愿意接受心理治疗，於是，医生只好假装自己需要尼采的帮助，协助他解决其生命意义的难题。一整个月的时间，他们每天在咖啡馆、墓园、诊疗室进行谈话，心灵相互衝击。
首先由布雷尔叙述他表面上和谐的婚姻生活与正值巔峰的事业，内在却潜藏著对女病人贝莎的性幻想，尼采如诗般的语言，理性的思辩，逼使布雷尔诚实的面对自己的人生，也只有当他能看清自己慾望的根源时，从而能真正帮助尼采释放他孤傲的灵魂，流下真实的眼泪…』

总的来说呢，还是有点慢。像是一部给中年危机的人看的。不过演技都一流，场景设置也很精细

特别喜欢这个美女。所以截图基本都是她。。

『auf wiedersehen。』 我要是男人 我也喜欢那种把自己包裹得严严实实的女人。

原来暴风截屏是会把字幕带上的。。

然后这就是片尾了。。情节嘛，不算跌宕。反正就是心理疗程。-_-

“布雷尔 医生 一直 活在 对 母亲 的回忆 里尼采 一直 活在 对 莎乐美一厢情 愿 的 感情 中 而在 现实中 俩人 却 都 没察 觉也许 这只 是一 种 出于 自我 潜意识的 屏蔽 人 有时候 就是 会 这样 不愿触 及 心里 的 伤疤于是 将它 深埋”

弗洛伊德还很帅。

几句喜欢的
Truth is a fearsome thing——尼采

"Your extreme isolation is stressing yourself."
"We must die. But at the right time"
"We are move in love than in desire... than the desired."
"Your duty is a sham, it's the curtain you hide behind!"
"Lying down is the best inducement of recalling memories."
"You are searching for comfort, go ahead, suckle on the tit of superstition." ——尼采

“Shabbot Shalom” is a pronouncement of blessing: “may all be well with you on the Sabbath”——自己搜的。医生是犹太人

医生·布雷尔
"New patient, suicidal tendencies. As always, it starts with a woman!"
"Goals are part of my culture, they're in the air. You breathe them in"
"Teaching philosophy and using it in the real world are very different undertakings."
"She doesn't speak, yet she talks to me"
"I don't want to just die alone. I don't want my body just to be 'discovered'."
“I've been away my dear. But now I am back” 唉～有时候就是那一句 就够啦

《我们没有明天》

完全因为海报漂亮
尽管海报上  主角是那么水灵那么青春，电影的基调很忧伤。

『基洙（金秉晳饰）和钟大（刘亚仁饰）兄弟俩是孤儿，家境贫寒使得他们早早辍学。性格稳重踏实的哥哥基洙靠帮人开车维持生活，无论再艰难都坚持自己的音乐梦想——在风光绮丽的马尔代夫开一场个人的鼓奏专场。而无所事事的钟大则不甘心过这种平凡且清涩的生活，在按摩店的工作也是三天打渔，两天晒网的，爱好把玩和研究模型枪的他，终日梦想着什么时候自己也能有一把真枪，做个风光的自由穿梭在弹雨中的黑帮英雄。一天，无端卷进暴力事件的钟大阴错阳差地得到了真枪，连同为了救弟弟的基洙，两人进入了无法掌舵的人生……
青春的黎明时分，他们能看到梦想的那一缕曙光吗？』

很多感觉无法用字描述，就用喜欢的画面代替吧。 代替吧。   
bang!

很暴力。。常常采用镜子等反射的效果来交待情景

同时又很温馨可爱。。

Ramien是生活的一部分。

被人打得稀巴烂
“我需要一把枪”
“这又不是美国！”

兄弟情谊

 
开心地想着马尔代夫。
我当时还不明白，鼓手怎么都显得那么轻松呢，而我非得注视着鼓或者鼓槌。
老师说，打鼓就是很轻松，不是你强求出来的鼓点。

是个好爸爸

『比如哥哥追弟弟到铁网的边上，喝醉的弟弟在哭在试图逃跑。哥哥抓着他的衣领，死死抱着他。弟弟不停地说我害怕我害怕……吉他的调调让人悲鸣。』
其实这一部分我是快进的。有点断臂。。呃

“我找到工作啦”

帮女孩找戒指，脸弄脏了。好吧我承认我是制服控  
卧谈

温馨结局。哥哥替弟弟坐牢。

“哥哥以为自己的明天是砰砰砰的小鼓，弟弟以为自己的明天是一把自己总得不到的手枪。
其实哥哥还是向往那种简单安静的生活，弟弟也是不放弃自己还有做老大英姿飒爽的时候，这就是他们想的‘明天’。
可后来……哥哥知道自己的明天就是弟弟，弟弟知道自己的明天就是和哥哥一起做一个好孩子。”——诺瓦『故事的最后俊泰的那句回答  似乎就是这部电影想要告诉我们的东西。
当小男孩问他“为什么妈妈是女的”时，俊泰说“因为爸爸是男的”。』

（点击查看全文）

 这篇影评其实有点违心。。为了迎合认识论老师的『真实』这一主题。。

有些地方写得不够煽情，也不够多。我其实特别喜欢这电影。看不懂的直接跳过，下面有截图和喜欢的台词～～ 

Reality and Identity

Fight Club’s protagonist (whose name was never pointed out), is an employee of a big car company. He suffers from serious insomnia. He alsohates his repetitive and boring life, but could not identify the problem. This makes him feel self conscious, full of hate and maybe paranoid about his environment. When pills did not help him with the sleeping issue, he went to groups where people had incurable diseases. That helped—people really listened to him, and he was able to be himself. Then Marla Singer appears in the groups, she is also a fake case and knows that the narrator is one too. He starts losing sleep again. One day on a business flight, he discovers Tyler Durden, acharming man who sells soap. Both of them get to know each other better as the narrator lives in with Tylerdue to the explosion of his condo. They find brawling with each other quite expressive and then formed a fight club. This club was underground, “First rule: Don't talk about fight club.Second rule: Don't talk about fight club”. But the club still grew bigger as time past. The narrator felt good about it, “It was on the tip of everyone’s tongue. Tyler and I just gave it a name.” The relationship between Tyler and the narrator got complicated as Marla reappeared in the wreck house they lived in. Then as the fight club grew bigger, things got out of the narrator’s control. Tyler was directing all sorts of illegal events skillfully under the name of “Project Mayhem”, they trains themselves asan army, to destroy modern civilization. The narrator finds out that Tyler “was truly born as a distinct personality when the narrator's unconscious desire for Marla clashedwith his conscious hatred for her.” “He tries to trace Tyler'ssteps, traveling all over the country and feeling a sense of déjà vu wherever he travels. Puzzled, he calls Marla Singer, and asks her to say his name. When she responds "Tyler Durden," he realizes the truth – Tyler is an aspect of his own split personality. Tyler appears in his room and explains that he is in control of the narrator's bodywhenever he is asleep. He tracks Tyler to the downtown headquarters of major credit card companies, which Tyler plans to destroy in order to collapse the consumerist financial system. The narrator, attempting to disarm theexplosives in the building basement, is confronted by Tyler, knocked unconscious, and taken to the upper floor of another building to witness the impending destruction. The narrator, who is held by Tyler at gunpoint, realizes that, sharing the same body with Tyler, he really holds the gun. He finds himself holding the gun and fires it into hismouth, shooting through the cheek without killing him. The illusion of Tyler collapses, with an exit wound to the back of his head. Members of Project Mayhem, who still seethe narrator as Tyler, bring Marla Singer to him and leave them alone, despite being shocked over his wound. Marla, who was warned to leave the city by the narrator, concernedlyasks what happened. The narrator explains that he shot himself and tells her,"You met me at a very strange time in my life." They watch as the buildings explode in a collapsing skyline outside the windows, standingside-by-side and holding hands.” (Answers.com).

 What reality means to us mostly is we are who we are. What would happen if we don’t do whatwe think we are doing and think differently? What if we are not the person wethink we are? Doesn’t that make all the things in life a little bit different? 

The narrator had problems with finding out that he was Tyler, or, who he was. The reason to that might be he lost his own consciousness of him as a person. He didn’t know who he was, what he wanted to do; why he stillworks for people he despises. The movie implied reality as a materialized and void. The narrator escaped from reality. 

Opposing to the narrator’s situation of not sensing reality, the portraying of this story is pretty real. The monotone in the narration implies the theme of him having a monotone life. He was as normal as a man could be. 

The lost of identification of the narrator was also due to lack of communication with people. People get to know themselves better by others. The narrator was the opposite. His boss never called him as his own name; neither did anyone else in the film. His only friend that he tried to talk to (other than every-day talk) was Marla, who chooses to walk away every time the narrator seems to have a fitabout him not being Tyler.

 The narrator didn’t answer what name he had when she asked, “Rupert? Cornelius? Any of those stupid names you come up with?” He never introduced his name to the audience. Later on he used “Jack” as a medium to tell the feelings other than “I”, probably because of the book he read about this novel about an organ telling the story of Jack. (“There's a whole series of these! I am Jill's nipples!”)

"I am Jack's flamed sense of rejection."

“I am Jack's cold sweat.”

“I am Jack's wasted life.”

“I am all alone. My father dumped me, Tyler dumped me. I am Jack's broken heart.”

 “Sir, in Project Mayhem we have no names.”This was also something about losing his control over his identity. All thepeople called him “sir”, and they never called each other by names. Tyler was only the Brad Pitt Tyler to the narrator; toothers, Tyler was the narrator.

 When the big-tit Bob died, the narrator wanted to arouse their awareness about the seriouss ituation the people were fooling around with. “He’s not a piece of evidence!” Thenthe members come up with a rule that once a person in Project Mayhem dies, he “deserves”a name, as though a recovery of identity.

 Fight Club gavethe lost people—including the narrator—an identity; or the reality: they were men. the men’s masculinity was aroused. They were people like the narrator—hadnothing to hold on to but materials. This was the reason the narrator was obsessedwith buying Ikea furniture, trying to find out “What kind of dining set defines me as a person.” Then again, Tyler points out that people end up being owned by their own possessions. To have a fight, they hadto get rid of shirts, rings and ties; which were objects that represented acivilized and material world. “When a fight was over, nothing was solved. But nothing mattered.” This was how the narrator felt. He started out thinking that “never having a fight in his life” would be a good thing. Now, the club really meant something to him.

 As a conclusion, from the film the audience realized that it is important to keep hold of one’s identity even without the belief in a religion, or being obsessed with materials. Just as Tyler put it in the movie,

　　You're not your job. You're not how much money you have in the bank. You're not the car you drive. You're not the contents of your wallet. You're not your khakis. You're the all-singing, all-dancing crap of theworld.

You only live inreality when you recognize yourself. Be sure when Tyler asks you, what you would feel like if you died on that spot.

 ---------------------------------图文分割线--------------------------------

多么尴尬啊，只有调味料而没有食物的冰箱。 

帅帅的pitt 

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年 代：2006
国 家：美国
类 别：喜剧

9月8日看的电影

Sarah: YOU’REBICKFORD SCHMECKLER! (KISS) Thank you SO MUCH!

你是Bickford？！（亲～～）太感谢你了！

Bickford: Forwhat?? For what?!

为什么？！

Sarah: GOD I readyour words! And look what exploded out of me! I think this is mybest work, EVER!!

天哪！我读着你的文字！看看我创作出了什么！我觉得这是我平生以来最棒的作品！

Bickford: What’sthe… black spot in the middle mean?

中间那黑点……啥意思？

Sarah: That’s… myclitoris. It’s one of my motifs; I always put it somewhere in eachof my paintings. (pause)

Do you likeit?

那是我的……阴蒂。这是我画中的主题！我总是把它放在画中的某处。（顿、、）

你喜欢么？

Bickford: …Yourclitoris?

……你的阴蒂？

Sarah: No... Thepainting, silly!

不是，这幅画！傻样～

Bickford: It’suhhhh… Look SARAH! I WANT MY FUCKING BOOK BACK!

它呢。。。嗯。。。

什么啊sarah！我他妈的想要回我那本书！快点！

要不回书。。怒了……

这动作超级帅。。不知道拍了多少遍

找到了书。。并且有很多人欣赏他的创作，开启了一个组织（SOS团？！），卖相关产品和翻印本。Bickford一并没收，装在盒子里。。

他在按电梯。。特逗。。

可是Bick并没有找回了书而更开心。“麻烦”接踵而来，有出版商要找出版该书。他非常不想成为金钱的奴役而出书 找到室友谈心。他们依然在Party………………

Ralph：Be happy!

高兴起来吧！！

Bickford：But… Happiness isn’t just a switch in your head that you could flip on and will.

但是… 所谓的幸福感并不是脑子里的一个开关，把它扳上去你就会快乐？没那么容易！

Ralph：…Yes, it is!

其实，的确是那样的！

Bickford：Happiness is a switch… that is so masturbatory!!

幸福感是一把开关？真的太意淫了！

Ralph：Well… isn’t masturbation one of the greatest invention of ALL TIME?

那…手/意淫不就是从古至今的最佳发明么？

Bickford：Ralph, come on!! I am in crisis mode here!

拜托！我现在是危机模式！！

Ralph：Alright, what’s masturbatory? Is thinking all those heavy thoughts all day long! There is no need to be intense ABOUT EVERYTHING! Bick

好好好！你知道么，什么才叫自淫的？就是你啊 整天想那些沉重的想法！没有必要对什么事情那么紧张！Bick~

最后他和Sarah交流通了，做了爱

世界一切OK    哈

“一切都那么美好。基础地来说”

——源自《性的史诗》，Bickford著

还算一部不错的电影 4颗～